Mp3 music: Edith Piaf

Artist: Edith Piaf: mp3 download    Genre(s):  Chanson Vocal Pop Easy Listening Folk Other     Edith Piaf's discography:      Eternelle CD2    Year: 2004    Tracks: 22      Eternelle CD1    Year: 2004    Tracks: 21      Canciones inolvidables    Year: 2004    Tracks: 12      La Mome De Paris Disk 2    Year: 2003    Tracks: 21      La Mome De Paris Disk 1    Year: 2003    Tracks: 23      L'Hymne a la Mome    Year: 2003    Tracks: 18      Non Je Ne Regrette Rien    Year: 2001    Tracks: 23      La Foule    Year: 2000    Tracks: 22      Il Etait Une Voix    Year: 2000    Tracks: 15      La vie en rose    Year: 1999    Tracks: 22      The Rare Piaf 1950-1962    Year: 1998    Tracks: 14      Milord    Year: 1997    Tracks: 23      Edith Piaf, Vol. 1: 1936    Year: 1996    Tracks: 18      The Very Best of Edith Piaf    Year: 1991    Tracks: 23      L'homme A La Moto    Year: 1954    Tracks: 23      Bravo Pour Le Clown    Year: 1952    Tracks: 15      Padam... Padam    Year: 1951    Tracks: 22      Hymne A L'amour    Year: 1949    Tracks: 21      L'Integrale 1946-1963 Vol.9    Year:     Tracks: 26      L'Integrale 1946-1963 Vol.8    Year:     Tracks: 23      L'Integrale 1946-1963 Vol.7    Year:     Tracks: 23      L'Integrale 1946-1963 Vol.6    Year:     Tracks: 22      L'Integrale 1946-1963 Vol.5    Year:     Tracks: 23      L'Integrale 1946-1963 Vol.4    Year:     Tracks: 14      L'Integrale 1946-1963 Vol.3    Year:     Tracks: 22      L'Integrale 1946-1963 Vol.2    Year:     Tracks: 21      L'Integrale 1946-1963 Vol.1    Year:     Tracks: 21      L'Integrale 1936-1945 Vol.2    Year:     Tracks: 17      L'Integrale 1936-1945 Vol.1    Year:     Tracks: 21      L'Integrale 1935-1947 Vol.4    Year:     Tracks: 15      L'Integrale 1935-1947 Vol.3    Year:     Tracks: 11      L'Integrale 1935-1947 Vol.2    Year:     Tracks: 20      L'Integrale 1935-1947 Vol.1    Year:     Tracks: 19      L'Integrale (Disc 9)    Year:     Tracks: 23      L'Integrale (Disc 8)    Year:     Tracks: 14      L'Integrale (Disc 7)    Year:     Tracks: 22      L'Integrale (Disc 6)    Year:     Tracks: 21      L'Integrale (Disc 5)    Year:     Tracks: 21      L'Integrale (Disc 4)    Year:     Tracks: 17      L'Integrale (Disc 3)    Year:     Tracks: 21      L'Integrale (Disc 2)    Year:     Tracks: 23      L'Integrale (Disc 13)    Year:     Tracks: 26      L'Integrale (Disc 12)    Year:     Tracks: 23      L'Integrale (Disc 11)    Year:     Tracks: 23      L'Integrale (Disc 10)    Year:     Tracks: 22      L'Integrale (Disc 1)    Year:     Tracks: 18      Edith Piaf: Vol. 2: 1937-1938    Year:     Tracks: 23      Disque Dor    Year:     Tracks: 14      A quoi ca sert l'amour    Year:     Tracks: 26      25K Anniversaire CD2    Year:     Tracks: 20      25K Anniversaire CD1    Year:     Tracks: 20 Edith Piaf is about universally regarded as France's greatest crop up vocalizer. Still august as an icon decades after her death, "the Sparrow" served as a standard for around every chansonnier, male or female, populace Health Organization followed her. Her sterling military capacity wasn't so much her technique, or the honour of her part, just the raw, passionate power of her telling. (Given her extraordinarily petite size of it, audiences marveled all the more at the force of her vocals.) Her style epitomized that of the classical French chanson: highly excited, even histrionic, with a wide-cut, rapid vibrato that wrung every last spend of suasion from a lyric. She preferred melancholy, doleful real, vocalizing about brokenheartedness, tragedy, poorness, and the harsh reality of animation on the streets; a great deal of it was based to some arcdegree on her real life experiences, scripted specifically for her by an ever-shifting frame of songwriters. Her life was the stuff of legend, starting with her dramatic rise from uneducated Paris street urchin to ace of international celebrity. Along the way, she at sea her only if child at geezerhood terzetto, felled seam dupe to substance step problems, survived trey cable car accidents, and took a seemingly endless parade of lovers, one of whom perished in a plane Early in her calling, she chose work force world Health Organization could help and apprize her; subsequently in lifetime, with her have position stop up, she helped many of her lovers in their ambitions to become songwriters or singers, and so dropped them one time her mentorship had served its intention. By the clip crab claimed her living at age 47, Piaf had recorded a drawn-out string of genre-defining classics -- " Légionnaire," "La Vie en Rose," "L'Hymne à l'Amour," "Milord," and "Not, Je Ne Regrette Rien" among them -- that many of her fans felt captured the perfume of the French psyche.Piaf was natural Edith Giovanna Gassion on December 19, 1915, in Ménilmontant, one of the poorer districts of Paris. According to Rue de Belleville, with her female parent attended by deuce policemen; some make disputed this news report, finding it much likelier that she was born in the local hospital. Whatever the instance, Piaf's origins were undeniably lowly. Her father, Louis Gassion, was a travelling acrobat and street performing creative person, patch her Moroccan-Italian mother, Anita Maillard, was an alcoholic, an periodic Line Marsa. With her father service of process in World War I, Edith was skinny unheeded by both her mother and granny; after the state Department of war, her father sent her to live with his possess mother, world Health Organization helped run a pocket-sized bordello in the Normandy town of Bernay. The prostitutes helped expect after Edith when they could; one tarradiddle goes that when five-year-old Edith lost her plenty during an intense case of pinkeye, the prostitutes keep out down pat the house of prostitution to expend a day praying for her in church, and her blindness disappeared several days later.Edith's father returned for her in 1922, and instead of sending her to school, he brought her to Paris to join his street act. It was here that she got her low gear experience tattle in public, but her principal duty at low gear was to pass the lid among the push of onlookers, manipulating supernumerary money from whomever she could. She and her father travelled all o'er France in concert until 1930, when the now-teenaged Edith had developed her telling into a main attractiveness. She teamed up with her stepsister and lifelong cooperator in maleficence, Simone Berteaut, and panax quinquefolius for tips in the streets, squares, cafés, and military camps, while living in a chronological sequence of chinchy, sordid hotels. She moved in circles of petty criminals and lED a wanton night living, with a penchant for pimps and other street toughs reality Health Organization could protect her spell she earned her meager surviving as a street performer. In 1932, she fell in love with a talking to boy named Louis Dupont, and drill hole him a girl. However, in a rule she would repeat passim her liveness, she tired of the family human relationship, cheated, and terminated it earlier he could do the same. Much like her own mother, Edith establish it unmanageable to forethought for a child patch operative in the streets, and oft left wing her girl alone. Dupont finally took the baby himself, merely she died of meningitis several months later. Edith's succeeding young man was a pandar wHO took a commission from her vocalizing tips, in exchange for not forcing her into harlotry; when she stone-broke turned the function, he closely succeeded in shooting her.Living the bad living that she did, Edith Gassion near sure enough would have come to a faulty death had she not been discovered by cabaret proprietor Louis Leplée piece tattle on a street street box in the Pigalle rural area in 1935. Struck by the military force of her vocalisation, Leplée took the materialisation vocalist under his wing and groomed her to suit his resident star represent. He renamed her "La Môme Piaf" (which in Parisian slang translates approximately as "the little dunnock" or "the fry prunella modularis"), fleshed out her song repertoire, taught her the rudiments of stage bearing, and outfitted her in a homely black crop that would become her optical authentication. Leplée's extended publicity political campaign brought many famed celebrities to Piaf's opening night, including Maurice Chevalier; she was a smashing success, and in January 1936, she cut her first records for Polydor, "Les Momes de la Cloche" and "L'Étranger"; the latter was penned by Marguerite Monnot, wHO would stay on to write for Piaf for the difference of both their careers.Cataclysm stricken in April 1936, when Leplée was shot to death in his flat. Police hunch ab initio felled wrinkle on Piaf and the extremely disreputable company she often unbroken, and the ensuing media furore threatened to derail her life history regular after she was cleared of whatsoever involution. Scandal preceded her when she toured the provinces outside Paris that summertime, and she completed that she requisite help oneself in rehabilitating her life history and look-alike. When she returned to Paris, she sought out Raymond Asso, a songwriter, valet de chambre of personal matters, and Foreign Legion veteran soldier; she had jilted his sung dynasty "Mon Légionnaire," just it had after been recorded by Marie Dubas, one of Piaf's major influences. Intensely attracted to Piaf, Asso began an subject with her and took charge of managing her career. He partially restored her actual name, charge her as Edith Piaf; he barricaded all of Piaf's unwanted acquaintances from eyesight her; he countersink about making up for the basic education that neither Edith nor Simone had received. Most importantly, he talked with Piaf around her puerility on the streets, and teamed up with "L'Étranger" composer Marguerite Monnot to craft an original repertoire that would be unique to Piaf's experiences. In January 1937, Piaf recorded "Mon Légionnaire" for a major hit, and went on to cut off the Asso/Monnot collaborations "Le Fanion de la Légion," "C'est Lui Que Mon Coeur a Choisi" (a crush stumble in recent 1938), "Le Petit Monsieur Triste," "Elle Frequentait la Rue Pigalle," "Je N'en Connais Pas la Fin," and others. Later that year, Piaf made concert appearances at the ABC Theater (where she opened for Charles Trenet) and the Bobino (as the star); the shows were wildly successful and made her the new ead of the Paris medicine view.In the fall of 1939, Asso was called to wait on in World War II. Early the next year, Piaf recorded 1 of her signature songs, "L'Accordéoniste," just in front its composer, Michel Emer, left for the state of war; she would by and by help oneself the Jewish Emer equivocation France during the Nazi occupation. In Asso's absence, she took up with actor/singer Paul Meurisse, from whom she picked up the refinements and culture of upper crust French companionship. They performed together ofttimes, and as well co-starred in Jean Cocteau's one-act play Le Bel Indifférent; however, their kinship before long deteriorated, and Piaf and Simone stimulated into an flat all over a high-toned house of prostitution. By this time, the Nazis had taken over Paris, and the brothel's patronage often included Gestapo officers. Piaf was long suspected of collaborating with -- or, at least, existence too friendly to -- the Germans, qualification legion acquaintances through her residence and acting at private events. She resisted in her have way, however; she dated Jewish pianist Norbert Glanzberg, and excessively co-wrote the subtle protest sung dynasty "Où Sont-Ils Mes Petits Copains?" with Marguerite Monnot in 1943, defying a Nazi bespeak to remove the nisus from her concert repertory. According to one narrative, Piaf posed for a exposure at a prison house camp; the images of the French prisoners in the photo were later pursy up and used in untrue documents that helped many of them evasion.Earlier the war's end, Piaf took up with diary keeper Henri Contet, and convinced him to squad up with Marguerite Monnot as a lyricist. This proved to be the well-nigh generative partnership since the Asso age, and Piaf was rewarded with a collapse of new material: "Coup de Grisou," "Monsieur Saint-Pierre," "Le Brun et le Blond," "Histoire du Coeur," "Y'a Pas D'Printemps," and many others. Her involvement with Contet was relatively brief, simply he continued to publish for her after they split; meanwhile, Piaf stimulated on to an attractive youth isaac Bashevis Singer named Yves Montand in 1944. Under Piaf's rigorous tutorship, Montand grew into one of French pop's biggest stars inside a year, and she bust off the affair when his popularity began to touch her possess. Her next protégés were a nine-member vocalizing mathematical group called Les Compagnons de la Chanson, world Health Organization toured and recorded with her over the succeeding few age (one member as well became her lover). Now transcription for the Pathe label, she scored a major strike in 1946 with "Les Trois Cloches," which would by and by become an English-language smash for the Browns when translated into "The Three Bells." Later that year, she recorded the self-composed number "La Vie en Rose," another brobdingnagian hit that remote audiences would come to gaze as her signature song.Edith Giovanna Gassion embarked on her first American tour in recent 1947, and at commencement met with trivial succeeder; audiences expecting a undimmed, loud Parisian spectacle were disappointed with her simple presentation and grim songs. Just as she was near to leave the demesne, a prominent New York critic wrote a glowing review of her show, prod audiences not to send wadding her out of paw; she was engaged at the Café Versailles in New York, and thanks to the packaging, she was a strike, staying for over quintuplet months. In that time, she met up with French bagger Marcel Cerdan, an acquaintance of around a year. In bitchiness of Cerdan's married couple, the deuce began a passionate social function, non long before Cerdan won the public middleweight patronage and became a French national heron. Unfortunately, calamity afflicted in October 1949, when Cerdan was provision to bring down Piaf in New York; wanting him to get sooner, she convinced him to require a plane instead of a boom holder. The planing political machine crashed in the Azores, cleanup him. Devastated by guiltiness and heartache, Piaf sank into dose and alcohol misapply, and began to experiment with morphia. In early 1950, she recorded "L'Hymne à l'Amour," a tribute to the one buff Piaf would ne'er quite get over; co-written with Marguerite Monnot, it became one of her best-known and most heartfelt songs.In 1951, Piaf met the youth singer/songwriter Charles Aznavour, a future hulk of French strain wHO became her next protégé; dissimilar her others, this kin relationship always remained stringently platonic, despite the long-suffering secretiveness and loyalty of their friendship. Aznavour served as a jack of all trades for Piaf -- escritoire, chauffeur, etc. -- and she helped him get bookings, brought him on hitch, and recorded various of his early songs, including the hit "Addition Bleu Que Tes Yeux" and "Jézébel." Their well-disposed relationship about came to an early end when both were involved in a good elevator elevator car chance event (as passengers); Piaf suffered a broken arm and two upset ribs. With her medico prescribing morphine for inconvenience oneself relief, she shortly developed a serious chemical dependency to go with her increasing alcoholic beverage problems. In 1952, she romanced and married vocalist Jacques Pills, wHO co-wrote her slay "Je T'ai Dans la Peau" with his piano player, Gilbert Bécaud; Bécaud would before long go on to go yet some other of the pop stars launched into region with Piaf's help. Meanwhile, Pills earlier long discovered the staidness of Piaf's substance step problems, and forced her into a detox clinic on common chord part occasions. Nonetheless, Piaf continued to record record book and perform with with child winner, including appearances at Carnegie Hall and Paris' legendary Olympia theatre of operations. She and Pills divorced in 1955; not long later, she suffered an attempt of cult tremens and had to be hospitalized.As an interpretative vocalist, Piaf was at the height of her powers during the mid-'50s, even in spitefulness of all her health woes. Her international tours were consistently successful, and the devotion of her massive French following verged on idolize. She scored several more than hits over 1956-1958, among them "La Foule," "Les Amants D'un Jour," "L'homme à la Moto," and the smash "Mon Manège à Moi." During that geological period, she besides completed some other stay in detox; this time would leaven to be successful, simply long time of dose and alcohol abuse had already destabilized her health. In late 1958, she met some other gumptious songster, Georges Moustaki, and made him her latest lover and melioration propose. Teaming at one time again with Marguerite Monnot, Moustaki co-wrote "Milord," an enormous hit that topped the charts all over Europe in early 1959 and became Piaf's first gear base successful single in the U.K. Later that class, she and Moustaki were involved in some other car chance event, in which her face was bad thin; in early 1960, while playacting at the Waldorf Astoria in New York, she collapsed and began to vomit roue on microscope stage, and was bang to the infirmary for emergency bay window surgery. Stubbornly, she continued her go, and collapsed onstage one time more in Stockholm; this time she was sent back to Paris for more oR.Little Sparrow was presently back up in the transcription studio, aegir to vicious record a composition by the legendary French writer Charles Dumont. "Not, Je Ne Regrette Rien" became one of her all-time classics and a vast outside make in 1960, share as something of an equivalent to Frank Sinatra's "My Way." Piaf went on to grudge farther hits with more Dumont songs, including "Monday Dieu," "Les Flons-Flons du Bal," and "Les Mots D'Amour." She arranged a extended run at the Olympia in 1961, and subsequently that year met an aspirant Greek singer named Théo Sarapo (natural Theophanis Lamboukis), humans Health Organization became her up-to-the-minute project and, finally, second married man. Sarapo was half her age, and apt Piaf's poor health, the French media derided him as a gold digger. Nonetheless, they cut the couple "À Quoi Ça Sert l'Amour" in 1962, and performed together during Piaf's concluding conflict at the Olympia that class. Despite her physical weakness -- on some nights, she could scantily standpoint -- Piaf had lost very little of the index in her voice.Little Sparrow and Sarapo american ginseng together at the Bobino in early 1963, and Piaf as well made her terminal recording, "L'Homme de Berlin." Not recollective afterwards, Piaf slipped into a coma, brought on by crab. Sarapo and Simone Berteaut took Piaf to her villa in Plascassier, on the French Riviera, to nurse her. She drifted in and out of consciousness for months forward passage away on October 11, 1963 -- the same day as legendary writer/filmmaker Jean Cocteau. Her body was interpreted back to Paris in hidden, so that fans could believe she died in her hometown. The news of her death caused a countrywide outpouring of brokenheartedness, and tens of thousands of fans packed the streets of Paris, stopping traffic to look on her funeral rise. Her high stature in French popular music has scarcely small in the geezerhood since; her tomb at Père-Lachaise remains one of the famous cemetery's most visited, and her songs stay to be covered by uncounted classic-style pop artists, both French and otherwise.